Ruddigore: The Witch’s Curse

1st - 4th April 2026

All Edinburgh Theatre: ⭐⭐⭐⭐⭐

A Youngish Perspective: ⭐⭐⭐⭐

The Student: ⭐⭐⭐⭐

All Edinburgh Theatre: ⭐⭐⭐⭐⭐ A Youngish Perspective: ⭐⭐⭐⭐ The Student: ⭐⭐⭐⭐

Savoy Opera has never been so killer…

As penance for burning a witch alive, the family of Ruddigore has been cursed with a tragic fate: the current Baronet of Ruddigore must commit one crime, a murder, each day. Refuse to do so, and a legion of their ghostly ancestors inflict agony on them until they concede… or die.

To escape his fate, Ruthven Murgatroyd has faked his death, causing his younger brother Despard to inherit the curse. 

Living in the village as Robin Oakapple, Rupert is in love with the paragon of etiquette, Rose, but, for fear of rejection, he cannot admit his true identity to her. When an old ‘friend’ sails into Ruddigore and decides to marry Rose himself, Robin’s identity is set to be exposed, with whatever consequence and curse it brings. 

As the curse-bearer continues to slaughter the villagers, can Robin find a way to cheat the curse and dispel his torturing ancestors, or shall he and his brother be doomed to murder forever?

Bringing the familiar tale of Ruddigore to modern audiences, EUSOG adapted the opera to spoof 20th century stock horror films. The show ran from 1st - 4th April in Bedlam Theatre to rave reviews and sold out crowds.

  • Lead Writer / Lyricist: Lewis Eggeling

    Assistant Writer / Composer: Franky Leong-Murphy

    Assistant Composer: Cameron Holmes

  • Director: Lewis Eggeling

    Asst. Director: Bea Temmink

    Musical Director: Franky Leong-Murphy

    Asst. Musical Director: Cameron Holmes

    Choreographer: Rachael Steel

    Asst. Choreographer: Roisin Collins

    Co-Producer: Louis Handley

    Co-Producer: Gemma Ojczyk-Leach

    Production Manager: Lily Goodchild

  • Robin Oakapple: Maia Jones

    Rose Maybud: Hannah-rose Laverick

    Richard Dauntless: Julie Girardin

    Dame Hannah: Nina Birbeck

    Sir Despard Murgatroyd: Zac Askham

    Mad Margaret I: Poppy Hunter

    Mad Margaret II: Natalie Rengger

    Adam Goodheart: Lou Limpenny

    Sir Roderic Murgatroyd: Hunter King

    Zorah: Abi Westcott

    Ruth: Pippa Colao

    Ensemble: Aisling Ní Dhochartaigh, Lil Hodge, Jack Thomas, Xiaowen Xu, Alex Murray, Rosa Snow and Chloe Brandwin

  • Conductor/Electric Guitar: Franky Leong-Murphy

    Violin: Ewan Robertson

    Violin Dep (4th): Max Donaldson

    Violin/Viola: Aimee Ma

    Cello: Lara Andrews

    Electric Bass: Sasha Grubb

    Flute: Steph Crich

    Flute: Luis Flores Carrubio

    Clarinet: Jesse Rees

    Oboe: Run Boonsinsukh

    Trombone/Saxophones: Andy Maclaine Wilson

    Horn: Clay Young

    Percussion: Shan Lee

    Percussion: Meenakshi Nirmalan

    Keyboard/Synth: Rachel Hui

  • Co-Stage Manager: Fiona Connor

    Co-Stage Manager: Aoife Hallett

    Stage Assistants: Melody Cheng and Bella Page

    Co-Sound Designer: Atalanta Lewis

    Co-Sound Designer: Eric Rogers

    Assistant Sound Designer: Louis Taylor

    Sound Assistants: Elise Chan, Zephyrus Pettitt and Gracie Spencer

    Costume Designer: Florence Morgan

    Costume Assistants: Sophie Bendon, Adi Hirasaki and Danby Lee

    Lighting Designer: Carys Hrebenar

    Assistant Lighting Designer: Rose Sarafilovic

    Lighting Assistants: Charles Leung, Fan Fei, Non Steel and Dorian Toms

    Co-Set Manager: Isla Duffy

    Co-Set Manager: Audrey Nicholls

    Set Assistants: Clancy Ge, Lucy Wilmot and Alex Kerr

EUSOG Awards:

The Halberd (most enthusiastic cast member): Abi Westcott

The Hen (biggest slip-up on stage): Louis Taylor, for routing all but Nina’s mic up to the tech box balcony instead of to stage

The Churn (the person who made the show the most enjoyable): Lewis Eggeling

The Shield (most helpful cast member): Chloe Brandwin

The Saloon Door (best EUSOG tech/backstage debut): Zephyrus Pettitt

The Paterson Cup (band MVP): Clay Young

The Feet (best duo): Rachael Steel and Abi Westcott

So from this day forth, I'll be one with the Devil; in bloody dissection I'll happily revel. To slaughter and slice on a downwardly level, a moral objection becoming a plan!

So from this day forth, I'll be one with the Devil; in bloody dissection I'll happily revel. To slaughter and slice on a downwardly level, a moral objection becoming a plan!