The show archive is currently under construction and so far only contains our current shows and our fringe show last year. We hope to have this archive completed by mid to late September (2008). If you are an old Savoyard and have any material from previous shows (programmes, posters, flyers, cast lists, press releases, anything really) we would very much like to hear from you. We have a lot of material for shows going back to 2000 but then our records get a little patchy. Notably, we have no material about shows before 1991. If you were involved with EUSOG before this time and have any material at all, we would be very interested to hear from you. To contact us about the archives, please email archive@eusog.org.
EUSOG has been performing shows since 1962. Originally, we focused on one big Gilbert & Sullivan show a year. In 1987 we started to diversify by presenting productions by other librettists and composers and from this point on, we produced a minimum of two shows a year. We decided to enter into the world of the Edinburgh Fringe Festival in 1993 with a production of Trial by Jury and have continued to participate in the Fringe ever since. At present, we produce at least three shows a year: Our main Guilbert and Sullivan production, a smaller production by various authors and a fringe show which may or may not be by Guilbert and Sullivan (there aren't many that fit into the time constraints the fringe places us under). We perform to a high standard and when not performing G&S we try to keep to a similar style of show. We are not known for our serious dramatic productions.
EUSOG present the Tony award-winning musical 'Guys and Dolls'
Fresh from taking the Edinburgh Fringe Festival 2009 by storm with 5 star, sell-out productions of Rent and Pirates of Penzance, EUSOG return with a classic musical fable of Broadway.
One of Broadway’s best-loved musicals, Guys & Dolls hit the stage in 1950 and ran for 1200 performances; in 1955 becoming a film starring Frank Sinatra and Marlon Brando. In the streets of New York, Damon Runyon’s wittily-drawn characters are set on a collision course: earnest Sarah Brown from the Save-a-Soul Mission is wooed by inveterate gambler Sky Masterson, as the irrepressible Nathan Detroit seeks a new location for his floating dice game while side-stepping both the law and Adelaide, his showgirl fiancée of 14 years.
Richly comic and unashamedly upbeat, the show features “Luck Be a Lady”, “Sit Down, You're Rocking the Boat”, “Bushel and a Peck”, “Take Back Your Mink” and “Adelaide’s Lament”.
Guys and Dolls will be performed in the Pleasance Theatre, Edinburgh from Tuesday 10th - Saturday 14th November, 7.30pm.
Booking information will be available here shortly.
EUSOG in the Press 2009:
***** "The cast members shine...a superb performance"
Three Weeks
***** "An excellent, enjoyable production."
Broadway Baby
***** "...it was a pleasure to be part of the 'Rent' experience. Get a ticket if you can!"
One 4 Review
**** "EUSOG are exuberant in their delivery...a ballsy, complex and near professional-quality show. You may need to fight for a ticket."
Broadway Baby
**** "Outstanding... A professionally executed production."
All The Festivals
**** "Brings chills to the audience...stunningly beautiful"
Hairline
"...five-star company EUSOG will undoubtedly have cynics dancing in the aisles."
The Scotsman
Coming Soon
Sky Masterson: Hamish Colville
Sarah Brown: Katie Irby
Nathan Detroit: Scot Dignan
Miss Adelaide: Amy Warke
Benny: Finlay MacAulay
Nicely Nicely Johnson: Ali Colam
Uncle Arvide: Staszek Stuart-Thompson
Harry The Horse: Jacob Bloomfield
Big Julie: Lucas Brunskill
Lt Branigan: Sammy Cable
General Cartwright: Ariana Ayu
Mimi: Gabrielle Peterson
Guys:
Luka Bjelis
Peter Duffy
Ross Jennings
Harisson Kelly
Jerry Meldrum
Chris Nairn
Dolls:
Anna Brand
Louisa Casson
Heather Chalmers
Mary Clare
Emily Rose Hay
Debbie Hicks
Sarah Howarth
Naomi Lawrance
Sally Pugh
Kate Roberts
Cathy Tran
Director: Lesley Acheson
Assistant Director: Dik Robinson
Musical Director: Iain McLarty
Choreographer: Miriam Early
Producer: Nick Morris
Production Manager: Gordon Nimmo-Smith
Assistant Producer: Tom Paton
Executive Producer: Debbie Hicks
Come Along to our OPEN MEETING on THURSDAY 17TH SEPTEMBER at 6.30pm to find out more about the society and our production. You can also sign up to auditions at this time as well.
LOCATION: CHEVIOT ROOM IN THE PLEASANCE (student union)
AUDITIONS will be held FRIDAY 18th from 12pm-10pm, SATURDAY 19th from 12pm-10pm and SUNDAY 20th 1pm-7pm. To sign up for a slot, email GUYSANDDOLLS@EUSOG.ORG with your details and we shall provide you with a day and time.
Audition Info:
You will be required to do an informal audition which will involve a vocal range test, performance of a suitable song or one of our suggested pieces (see EUSOG website) and short read through of some related dialogue.
For the Dolls we have suggested 'Adalaide's Lament' (Adalaide's song) and 'I'll Know' (Sarah Brown's song). For the Guys we have suggested 'Luck be a Lady' (Sky's song).
The second round of auditions will be on MONDAY 21st times TBC. These will include informal group dance and acting auditions with some singing.
The revolutionary Tony and Pulitzer Prize winning show.
Premièring on Broadway in 1996, Jonathan Larson’s revolutionary rock version of Puccini’s opera La Bohème was a stunning success, winning many prestigious accolades including the Tony Award for Best Musical and the Pulitzer Prize for Drama.
Larson’s moving score portrays a group of impoverished artists, addicts and lovers maintaining a precarious existence in New York’s East Village, under the ever-present shadow of AIDS. As relevant now as it was then, RENT creates a time capsule of a world in which these young Bohemians find hope and joy in the darkest depths of despair, and strive to find the salvation of love even in the face of tragedy.
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RENT will be performed in Spotlites @ The Merchants' Hall on Hanover Street on the following dates:
PREVIEWS: 5th - 8th August
Time: TBA
PERFORMANCES: 16th - 31st August
Time: 8pm (1 hr 55 mins)
-----------------------------------
PRODUCTION TEAM:
Director: Nina Logue
Musical Director: Simon Burrow
Choreographer: Katy Heavens
Assistant Musical Director: Andy Bowden
Executive Producer: Debbie Hicks
Producer: Nick Morris
CAST:
Mimi Marquez: Stephanie Baillie
Joanne Jefferson: Rachel Timney
Maureen Johnson: Olivia Holland-Rose
Mark Cohen: Ross Martin
Roger Davis: Ali Watt
Tom Collins: Greg McCafferty
Angel Dumott Schunard: Jimi Mitchell
Benjamin "Benny" Coffin III: Ed Sheridan
Chorus:
Robin Stewart Katie Foster
Jerry Meldrum Julie Moote
Martin Heavens Helen Coad
Mark Laverty Quianna Givens
Jason Park Jenny Dickens
Alex Duffy Torty Lee
Gilbert & Sullivan's classic comedy brought to joyous life by the company that brought you 'HMS Pinafore' (Fringe sell-out 2008) and 'Guilds' (***** [ThreeWeeks, 2007]). Biting wit, beautiful songs and silly policemen abound!
In aid of The Sick Kids Hospital.
Augustine’s Studio. George IV Bridge, Fringe Venue 152
9th – 15th August 2009
8:30pm 90 minutes
Buy Tickets from www.paradise-green.co.uk
CREW
DIRECTOR: Naomi Lawrence
CO-MD: Sam Cable
CO-MD: Tom Paton
PRODUCER: Will Searle
PIANIST: Richard Townsend
LIGHTING: Richard Robinson
CAST
MABEL: Sarah Kim
EDITH: Heather Chalmers
KATE: Julia Fuchs
ISABEL: Mary Clare
RUTH: Lucie Robathan
MAJOR-GENERAL STANLEY: Sam Cable
FREDERIC: Alex Gunn
THE PIRATE KING: David Finlay
SAMUEL: Jonathan Gunson
SEARGENT OF POLICE: Geoff Lee
PIRATES DAUGHTERS
Will Bartlett Iona Beange
Chris Trenholme Emma Padfield
POLICE Erica Holcomb
Chris Drew
Andy Edmonstone
| Attachment | Size |
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| Skull Poster.jpg | 1.63 MB |
The Church Hill Theatre, Morningside
3rd – 7th March 2009
Tickets available in the Online Tickets Section on the right or on 07940 968 312
Cast
John Wellington Wells - Hamish Colville
Alexis Pointdextre - Jerry Meldrum
Aline Sangazure - Sarah Kim
Constance Partlett - Heather Chalmers
Doctor Daly - Andrew Edmonstone
Sir Marmaduke Pointdextre - Sam Cable
Lady Sangazure - Jayne Phillips
Mrs Partlett - Debbie Hicks
Notary - Tom Paton
Chorus
Will Bartlett Emma Biwer
Chris Drew Mary Clare
Alex Gunn Johanna Crossley-Zels
Chris Trenholme Julia Fuchs
Heather Knott
Naomi Lawrence
Lauren Matthew
Debbie Miller
Emma Padfield
Sally Porter
Lucie Robathan
Annalisa Round
Katie Tobin
Sophie Stokes

11th-15th November, 7.30pm at the Adam House Theatre
£10 (£7.50 Concessions)
Who turns out to be the long-lost heir to the Baronetcy of Hareford, its 17th Baron and 8th Viscount? Lambeth's own Cockney sparrow, Bill Snibson, that's who. He has his own girlfriend, Sally, but that won't stop gold-digger Lady Jacqueline. She ditches her dumbfounded boyfriend, Gerald, when Mr Parchester, the family solicitor, presents Bill to the flabbergasted family as the new son and heir. But Bill has still to win the family's approval to inherit the title - and the money. If he doesn't, he'll be given an annuity and sent away. The formidable Duchess is determined Bill should stay, insisting that all will be well and, with a little grooming, Bill will be suitable to inherit. There will be an official reception to introduce him to the county set. But Sally is not to be invited. Bill faces up to the Duchess - no Sally, no Bill. But Sally doesn't want to come anyway - not to a posh party. The party goes ahead and Sally turns up in full Cockney get-up complete with a posse of pearly kings and queens who perform the 'Lambeth Walk' to prove Bill doesn't belong. But they are all invited to the reception and go into dinner.
Next day there's croquet on the lawn. In an effort to make him stay and take up his inheritance, the Duchess has persuaded Sally to tell Bill she no longer loves him. Sally does this, and slips out to an unknown destination. Bill, helped by Sir John and Parchester, is determined to find Sally (whom he still loves). He is urged on by a Ruddigore-like gallery of ghostly portraits of his ancestors.
Back at her landlady's Sally decides to move on. She's got a telegram from Bill and must escape. However, Sir John arrives and has a cunning plan for her. When Bill arrives, her landlady says she's not there, but Bill waits. He expends all his energy on locating Sally and bringing her back. Sir John makes the Duchess soften her attitude towards Bill's beloved. Bill finally rejects Lady Jacqueline and she returns to Gerald. Bill is making to leave when Sir John enters with a new Eliza Doolittle - it's a posh Sally! The Duchess is delighted and Bill has his girl!
Featuring popular show tunes such as 'The Lambeth Walk', 'The Sun Has Got His Hat On', 'Leaning on a Lamppost' and 'Me and My Girl'.
Principals |
Production Team |
|||
| Charles | Will Bartlett | Director | Chloë Edworthy | |
| Lord Battersby/Constable | Hamish Colville | Kristoffer Bruce | ||
| Lady Battersby | Sarah Cromack | Musical Director | Sam Cable | |
| Jacquie | Clare Donovan | Choreographer | Sarah Kim | |
| Sir Jasper Tring | Alex Gunn | Assistant Producer | Chris Cotter | |
| Sir John | Andrew Kirkland | |||
| Bill | Geoff Lee | |||
| Duchess | Lauren Matthew | |||
| Gerald | Jerry Meldrum | |||
| Sally | Sarah Sherred | |||
| Parchester | Richard Townsend | |||
Cast |
||||
| Major Domo/Chorus | David Birchett | Cassie Anderson | ||
| Maid 2/Chorus | Heather Chalmers | Andrew Edmonstone | ||
| Mrs Brown/Chorus | Mary Clare | Jonathan Gunson | ||
| Chef/Chorus | Chris Drew | Sarah Kim | ||
| Sophia Stainsley/Chorus | Kitty Geddes | Lynsey Liddle | ||
| Lady Brighton/Chorus | Debbie Hicks | Deborah Miller | ||
| Maid 1/Chorus | Naomi Lawrence | Cat Morgan | ||
| Cook/Chorus | Jayne Phillips | Grainne O'Hogan | ||
| Mrs Worthingon/Chorus | Lindsey Robinson | Annalisa Round | ||
For the Fringe Festival 2008, EUSOG presents the Tony Award winning

A musical comedy by Stephen Sondeim
Performing 4th - 10th & 12th - 17th August (Weeks 1 & 2 of the Edinburgh fringe festival) at Augustine's Church
Set in New York, 'Company' follows Robert, a 35 year old bachelor and his dysfunctional married friends. The relationships are presented in a series of vignettes, mainly through Bobby's eyes, to portray the less than ideal aspects of commitment. Eventually Robert learns that whilst no relationship is perfect, it is a necessary part of 'Being Alive'. 'Company' discusses the themes of age, love and loneliness with the comic undercutting, wit and pathos audiences have learnt to expect from Sondheim's work.
| Director | John McQuade |
| Musical Director | Simon Burrow |
| Producer |
Natalie Eskinazi |
| Technical Manager | Jamie McQuilkin |
| Robert |
Ali Watt |
| Larry |
Joe Pike |
| Joanne |
Nina Logue |
| Joanne (understudy) |
Katie Fitzgerald |
| Peter |
Martin Heavens |
| Susan |
Colleen Nicol |
| Paul |
Robin Stewart |
| Amy |
Jenny Dickens |
| David (week 1) |
Alex Duffy |
| Jenny (week 1) |
Leonie Hamway |
| David (week 2) |
Simon Ginty |
| Jenny (week 2) |
Maredith Close |
| Harry |
Chris Royds |
| Sarah |
Rachel Timney |
| April |
Miriam Early |
| Marta |
Mared |
| Kathy | Alice Bonifacio |
| Stage manager | James Turner |
| DSM | Mary Clare |
| Publicity & Design Managers | lucy Sproul-Cran and Tom Paton |
| Costume Mistress | Nikki Wragg |
| Assistant Producer | Jon Kidd |
COMPANY
Music & lyrics by Stephen Sondheim
Book by George Furth
Originally produced and directed on Broadway by Harold Prince
This amateur production is presented by arrangement with JOSEF WEINBERGER LTD. on behalf of MUSIC THEATRE INTERNATIONAL of NEW YORK.
EUSOG would like to invite one and all to watch our Fringe production of
We will be performing in Venue 115, Rocket @ Demarco Roxy Art House at 10pm from the 18th to the 23rd of August (Monday to Saturday of week3). The profits will be donated to the Sick Kids Friends Foundation who raise money for the Royal Edinburgh Hospital for Sick Children.
HMS Pinafore was Gilbert and Sullivan's first real smash hit. The story (in time honoured fashion) goes roughly thus:
Ralph, a handsome sailor, confesses to his shipmates his love for Josephine (daughter of the honourable Captain Corcoran), only to be reminded that the chances of getting it on with her are... minimal. Josephine meanwhile (despite harbouring a secret passion for Ralph), is being pursued by Sir Joseph Porter, the First Lord of the Admiralty. Perhaps unsurprisingly however she finds him rather stuffy and unattractive. After much general discussion of equality and the fact that any sailor is as good as his captain (and probably after no small amount of rum), Ralph (despite the admonitions of his shipmates) declares his love to Josephine who dutifully snubs him because (being a good and loyal daughter) she has decided to marry Sir Joseph. Ralph, in a depressed frenzy threatens suicide which snaps Josephine out of her bizzarro old-man fantasy world long enough to declare her true love for Ralph. Much rejoicing ensues and they decide to elope that night. Dick Deadeye (resident doom-sayer) warns that this is probably unwise, but then he's always bringing down the party, so no-one pays much attention.
The action continues in Act II where we see the mysterious "Little Buttercup" telling Captain Corcoran that things are not as they seem and that a change is coming. This is probably the best he can hope for at the moment as he is under threat of court-martial and has been deserted by all his friends. Sir Joseph moans to the Captain that his daughter has not yet accepted his proposal, to which the captain suggests a little more of the "love makes us all equal" banter which went down so well in Act I. This has rather the opposite of the intended effect on Josephine, who is now more determined than ever to marry Ralph. Dick Deadeye puts in his oar again and informs the captain of the elopers' plan, causing him to swear loudly on the deck, which is the final straw for Sir Joseph who relieves the Captain of duty. All is looking grim when Little Buttercup dons her Deus Ex Machina hat and announces that when she was a nursemaid and caring for both Ralph and the Captain, she inadvertently swapped them, meaning that Ralph is actually of moderately noble standing and the Captain is merely a common sailor. Now Josephine can marry Ralph, the Captain can marry Buttercup and sir Joseph gets it on with his cousin! Hooray!
Production Team |
Cast |
||
| Producer | Andrew Edmonstone | Ralph Rackstraw |
Jerry Meldrum |
| Assistant Producer | Chris Cotter | Josephine Corcoran |
Sarah Kim |
| Director | Geoff Lee | Captain Corcoran |
Chris Cotter |
| Assistent Director / Choreographer | Sarah Kim | Buttercup |
Jayne Phillips |
| Musical Director |
Sam Cable | Sir Joseph Porter |
Samuel J. Taunton |
| Assistant Musical Director / Assistant Director |
Léonie Hamway |
Dick Deadeye |
Jonathan Gunson |
| Technical Director | Neale Dutton | Cousin Hebe | Lindsey Robinson |
| Costume Manager | Iona Beange | Boatswain | Andrew Edmonstone |
| Artistic Designer | Claire Holden | Carpenter's Mate | Chris Drew |
|
Press Officer |
Kelly Forbes | ||
Gentlemen of the Chorus |
Ladies of the Chorus |
||
| Nick Clelland | Kirsty Ross | ||
| Richard Townhill | Gesine Strenge | ||
| Alex Gunn | Mary B. H. Clare | ||
| Iona Beange | |||
| Claire Freake | |||
| Courtney Glenny | |||
| Scarlett Bayfield | |||
| Cleo Parthenoglou | |||
Press
Please contact kelly@eusog.org for our press release.
Ambition, intrigue, foolish love and custard pies - EUSOG welcomes you to the high drama of the Jester Election. The hero Cedrick, the Village Idiot of Haselmere, faces his greatest fear - the voters.

In the 16th century village of Haslemere, Cedrick, the village jester and member of the Slapstick Guild, treats the villagers' illnesses by entertaining and amusing them. But now it is election time and Cedrick risks losing his seat to Amy, of the Worldplay Guild. The Slapstick Guild's aged leader Graham is fighting off a leadership coup from Theresa, his single-minded deputy. The Worldplay Guild's highly competent leader Benjamin fears Theresa and is trying to ensure that Graham stays in place. Cedrick finds himself caught in the middle of their dispute, as well as attracted to his opponent, and must make a difficult choice as the crucial vote which will decide his future approaches.
Guilds is a 50-minute musical comedy which was written for EUSOG to perform at the 2007 Edinburgh Fringe Festival. It requires a cast of 4 men, 2 women, and chorus. If you would be interested in performing Guilds, please contact the EUSOG committee at committee@eusog.org.

Production Team |
Cast |
||
| Producer | Andrew Edmonstone | Cedrick |
Geoff Lee |
| Assistant Producer | Mary Clare | Amy |
Rachel Wood |
| Director | Chris Cotter | Graham |
Ed Curry |
| Musical Director | John Davey | Benjamin |
Henry Manning |
| Set Designer | David Larking | Fairfax |
Dave Finlay |
| Designer | Staszek Stuart-Thompson | Theresa |
Elspeth Noble |
| Stage Managers | Ruth Wilkinson | ||
| Claire Turnbull | |||
| Technical Directors | Richard Bell | ||
| James Turner | |||
| Wardrobe Manager | Nikki Wragg | ||
Gentlemen of the Chorus |
Ladies of the Chorus |
||
| Kristopher Bruce | Jenny Dickens | ||
| Sam Cable | Maren Dralle | ||
| Nick Clelland | Chloe Edworthy | ||
| Chris Drew | Natalie Eskinazi | ||
| Andy Edmonstone | Kelly Forbes | ||
| Joshua Green | Naomi Law | ||
| Robert Jenkin | Rose Lindgren | ||
| Somon Nevelle | Krista Livock | ||
| Tom Paton | Suzanne McGrath | ||
| Will Searle | Susannah Prins | ||
| Staszek Stuart-Thompson | Lucy Sproul-Cran | ||
| Sam Taunton | |||
A joy to watch; `Guilds` is a wonderfully topical comic musical. The play centres on an election campaign between two jesters both vying for the title of village idiot. Cunningly it`s contemporary politics that is being poked fun at; negative campaigning, photo ops, sound bites and voter apathy are all mocked, and brilliantly. On top of this, the play is a showcase of talent, with technically difficult pieces sung to perfection. Laughter also graces the stage - Ed Curry`s performance is one of particular comic brilliance. Not often do whole audiences giggle throughout a musical, but the comedy, both slapstick and subtle, that adorns this musical is extremely amusing. So we have wit and intelligence, talent, and laughter: this show is hard to fault. - 3 Weeks
Guilds is a fantastic, clever and funny show with an excellent cast and great storyline that will keep you hooked. This group of University students are more than a match for some of the more seasoned performers out there. Once again, great show. - Ed Tweddle
Hey, went to see Guilds last night and i would definitely recommend it to anyone who wants a good laugh and to enjoy some brilliant singing and acting! This show is in a great venue on George IV Bridge and as mentioned below was sold out last night. On the performance last night it should be sold out every night! The lyrics are clever and topical, and the actors are very talented- go buy your ticket! - Vicky Miller
This was the first show I have seen in 2007`s fringe and it means all the rest of the shows have something to live up to. The music was fab and the political satirical element was excellent. It has something for everyone - both commedy and music. A MUST SEE!!! Enjoy the show xx - Scott Mathe
You can download sound clips of the music in Guilds at the bottom of this page.
| Attachment | Size |
|---|---|
| 01 Cedrick's Song.mp3 | 512.98 KB |
| 02 Haslemere.mp3 | 715.02 KB |
| 03 Fairfax.mp3 | 560.74 KB |
| 04 All the town.mp3 | 459.51 KB |
| 05 Start of Her Success.mp3 | 496.65 KB |
| 06 Slave to the Vote.mp3 | 408.9 KB |
| 07 Spin Waltz.mp3 | 676.25 KB |
| 08 Hustings.mp3 | 764.82 KB |
| 09 Under Her Spell.mp3 | 477.06 KB |
| 10 Cedrick and Amy.mp3 | 552.57 KB |
| 11 Graham.mp3 | 504.41 KB |
| 12 Voting Dance.mp3 | 742.78 KB |
| 13 Finale.mp3 | 645.22 KB |
Shows performed during 2010

The scene opens in the pretty little Cornish fishing village of Rederring, showing the harbour and Rose Maybud's cottage. The village possesses an endowed corps of professional bridesmaids, who are languishing in idleness, there having been no weddings for at least six months. The village beauty, Rose, will have none of her many suitors, and, in desperation, the Bridesmaids, fearful of losing their endowment, endeavour to persuade Dame Hannah, Rose's Aunt, to marry old Adam, Robin Oakapple's faithful servant.
Hannah is, however, pledged to eternal maidenhood. Years ago, she was betrothed to a youth who woo'd her under an assumed name, but on the day when they should have been married, she discovers that he was no other than Sir Roderic Murgatroyd, one of an accursed race. She tells the girls how his ancestor, Sir Rupert Murgatroyd, employed his time in persecuting witches, and that one of his victims, in mortal agony at the stake, laid this curse on him: "Each lord of Ruddigore, despite his best endeavor, shall do one crime, or more, once every day, for ever." The penalty for defying the curse is death by torture on the day the crimes cease, and each lord of Ruddigore has so died.
Hannah chides Rose for not returning the love of "some gallant youth," and Rose explains that her difficulty is that the youths of the village are bashful, and it would not be becoming for her to make advances. Rose is a foundling, and bases her ideals on a book of etiquette which, with a change of baby linen, were her only possessions when she was discovered in a plated dish cover suspended to the knocker of the workhouse door.
Robin enters and would fain consult Rose on the predicament of a friend who is in love with a maid, but is too diffident to tell her. Rose similarly wishes to ask his advice as to her friend, and they "consult" accordingly in a charming duet, without, however, mending matters.
Robin Oakapple is really Sir Ruthven Murgatroyd, but in horror at the prospect of inheriting the title and the curse, he had fled his home and taken an assumed name. His younger brother Despard, believing him to be dead, had succeeded to the title. Old Adam enters and informs Robin that his foster brother Richard is home from sea. This news is quickly followed by the entry of Richard himself. He kisses all the girls, spins them the yarn of the "Bold Mounseer," and dances a Hornpipe as an appropriate climax.
Dick and Robin exchange greetings, and Robin, on being upbraided for being sad, tells his foster brother of his love for Rose, and of the shyness that prevents him from declaring it. Richard consults "the dictates of his heart," and his heart tells him to speak up for his friend. Robin is overjoyed and sings a song, the burden of which is that, "If you wish in the world to advance . . . you must stir it and stump it, and blow your own trumpet."
Dick goes off on his self imposed mission, but no sooner does he see Rose than his heart "dictates" once again, and says: "This is the very lass for you, Dick." So he forgets Robin, and makes love, very successfully, on his own account.
Robin enters with the Bridesmaids, and is astounded at the unexpected turn events have taken. Still, he has sworn to stand up for Dick through thick and thin. Therefore, while pretending to agree, he "gets his own back" by making many disquieting insinuations regarding the less respectable aspects of a sailor's life. This clever move turns the tables on Richard, and Rose forsakes him for Robin.
A new character is introduced - Mad Margaret - whose wits have been crazed by the cruel treatment of Sir Despard Murgatroyd - the "Bad Baronet." She is actually trying to find Rose Maybud, of whom she is jealous, having heard that Sir Despard intends to carry her off as one of his daily "crimes." Rose tells her, however, that she need not fear, as she (Rose) is pledged to another.
Despard Murgatroyd and his following of "Bucks" and "Blades" now appear. They are welcomed by the Bridesmaids, who are tired of village swains, and are delighted with the swaggering newcomers in their gorgeous military uniforms.
Despard bewails his lot, as one who, being really thoroughly good, is condemned to be thoroughly bad. He tries to balance his account of evil and good by getting his crime over the first thing in the morning, and then doing good for the rest of the day. For example, in the morning he steals a child, and then builds an orphan asylum.
Richard enters, and to pay off his score against Robin, he reveals his secret to Despard, who is overjoyed to learn that he is not the real heir, but that his elder brother is still living.
They determine to act without delay, for Rose and Robin, with the Bridesmaids, have entered for the wedding ceremony. A lovely Madrigal is sung, followed by a Gavotte, and the procession is about to start for the church, when Despard enters, and challenges Robin, claiming him as his elder brother Sir Ruthven Murgatroyd, rightful heir to the Baronetcy of Ruddigore. He cannot deny the fact, and Rose, in spite of Richard's blandishments, forsakes him, and offers herself to Despard. This offer is refused, for Despard, once again virtuous, keeps his vow to Margaret. Rose returns to Richard, and Robin, now the "Bad Baronet," falls senseless to the ground.
ACT 2
The scene changes to the Picture Gallery in Ruddigore Castle. Round the walls are full‑length portraits of the Baronets of Ruddigore from the times of James I ‑- the first being that of Sir Rupert, alluded to in the legend: the last, that of the latest deceased Baronet, Sir Roderic.
Sir Ruthven and Adam enter melodramatically. They are greatly altered, Sir Ruthven looking haggard and guilty, and Adam filling the part of steward to such a wicked man. They hate the life, but there is no help for it, and they are trying to think of new crimes to commit. Adam suggests that as Richard has come to the Castle with Rose Maybud to ask for Sir Ruthven's consent to their marriage, a really excellent crime would be to "poison their beer!" This is too much for Sir Ruthven, who has not yet reached the requisite state of "badness."
Rose and Richard enter happily, and Sir Ruthven, thinking he has her in his power, threatens to immune her in a dungeon, and calls for assistance. He is foiled by Richard, who produces a small Union Jack, which even a "Bad Baronet" cannot defy. Rose pleads with Sir Ruthven, who yields to her entreaties, gives his consent and allows them to leave unmolested.
The scene darkens, and when it becomes lighter the Pictures are seen to have become animated. A soft chorus of men's voices is heard, and the ghosts of the ancestors step from their frames and march round, the last to descend being Sir Roderic.
They reproach Sir Ruthven for having failed to fulfill the curse, and Sir Roderic sings an eerie song, "The Ghosts' High‑noon." Sir Ruthven realizes who they are, and makes many weak excuses. For instance he committed no crime on Monday because it was a Rank Holiday. On Tuesday he made a false Income Tax return, on Wednesday he forged his own will, and so on. These do not satisfy the ghosts, who after giving him a taste of the torture which will follow if he fail to commit some real crimes, allow him one more chance, and command him to carry off a lady at once.
Sir Ruthven yields, and the ghosts, having made him pardon them ("for having agonized him so"), return to their frames. The low, soft chorus is heard again and the Gallery assumes its normal aspect.
Sir Ruthven bids Adam go at once to the village and carry off a maiden. Despard and Margaret now appear. They, too, are changed, both being dressed in sober garments of a formal cut. They run a National School, and Margaret is a District Visitor. They have come to urge Sir Ruthven to abandon his wild courses. Despard points out that although Sir Ruthven has only been a Bad Baronet for a week, he is responsible, in the eyes of the law, for all the crimes committed by him, Despard, during the past ten years. This so appalls Sir Ruthven that he determines to reform and take the consequences.
Meanwhile Adam has returned, bringing with him Dame Hannah, who seizes the sword from a suit of armour on the wall, and makes for Sir Ruthven. He, in an agony of terror, invokes the aid of his uncle, Sir Roderic, who once again steps from his picture. He and Hannah, who, it will be remembered were lovers before his death, ten years before, recognize each other. Sir Ruthven is ordered by his uncle to leave them together, Hannah sings of her old love for him and bursts into tears, but at this moment, Sir Ruthven rushes in excitedly, followed by all the other characters and the chorus of Bridesmaids. An idea has occurred to him. Since a Baronet of Ruddigore can only die through refusing to commit a daily crime, the refusal is tantamount to suicide. But suicide being itself a crime, Sir Roderic ought never to have died. This is all very satisfactory; Rose returns to her first love, Sir Ruthven, and Richard has to take Zorah, the chief bridesmaid, and the opera ends with a joyful chorus.
synopsis from http://math.boisestate.edu/gas/ruddigore
Robin - Chris Cotter
Richard - Ali Colam
Despard - Ross Jennings
Roderic - Hamish Colville
Old Adam - Geoff Lee
Rose - Katie Irby
Dame Hannah - Sally Pugh
Mad Margaret - Lucie Robathan
Zorah - Amelia Smith
Ruth - Debbie Hicks
Alex Gunn
Luke Brunskill
Richard Townsend
Will Bartlett
Tom Paton
Scot Dignan
Chris Drew
Stash Thompson
Luka Bjelis
Emily Rose Hay
Heather Chalmers
Rose Paxman
Carol Stewart
Emma Padfield
Amy Warke
Sarah Kate Howarth
Tiggy Johnstone-Burt
Stella Merz
Stella Archer
Anna Brand
Corinne McGowan
Producer: Tom Paton
Assistant Producer: Julia Fuchs
Director: Naomi Lawrence
Musical Direcotr: Sam Cable
There will be a short Open Meeting on Friday the 20th of November at 7pm, meet in the Pleasance Bar at 7pm. This is your chance to meet the production team and learn more about the show!
Auditions will continue in the Pleasance on Friday, the 20th (8-10), Saturday the 21st (3-10), and Sunday the 22nd (5-10). Feel free to email us at ruddigore@eusog.org with your preferred day and time and we will book you a slot. Alternatively, turn up to the open meeting and sign up for a slot then.
In the auditions we ask for a prepared song and a reading of an excerpt from the script that we will give you. Some songs that we have suggested from RUDDIGORE can be found at this link http://math.boisestate.edu/GaS/ruddigore/html/rudi_home.html under 'The Music - download a vocal score' section:
Soprano - 'If someone there chanced to be' Act 1 pages 23 - 25
Alto - 'Sir Rupert Murgatroyd' Act 1 pages 18 - 21
Tenor - 'Act One Finale' Act 1 pages 114 - 115 (bars 333 - 349)
Baritone/Bass - 'When the night wing howls' Act 2 pages 153 - 154
Sam Cable (MD) has also suggested three songs that he will accompany that are not from the show. These are:
Sopranos - 'Think Of Me' from The Phantom of the Opera
Altos - 'On My Own' from Les Misérables
Males - 'Luck Be A Lady' from Guys and Dolls
These are provided below.
Alternatively, you may sing a song of your choice, but be prepared that it may be unaccompanied!
PLEASE REMEMBER - we are not looking for a perfect rendition, but just a taste of your vocals!
RUDDIGORE will be on from the 9th to the 13th of March 2010 at the Churchill theatre.
If you are interested in helping backstage, with front of house, or playing in the orchestra, let us know! We are always looking for musicians and crew!
Join us for this FANTASTICAL supernatural comic show!
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| Luck be a Lady 1.jpg | 278.2 KB |
| Luck be a Lady 2.jpg | 331.46 KB |
| Luck be a Lady 3.jpg | 330.37 KB |
| Luck be a Lady 4.jpg | 305.21 KB |
| On my own1.jpg | 981.53 KB |
| On my own2.jpg | 1.74 MB |
| On my own3.jpg | 1.08 MB |
| On my own4.jpg | 1.53 MB |
| On my own5.jpg | 987.36 KB |
| Think of me1.jpg | 808.71 KB |
| Think of me2.jpg | 984.57 KB |
| Think of me3.jpg | 952.73 KB |
| Think of me4.jpg | 1.2 MB |
| Think of me5.jpg | 974.08 KB |
| Think of me6.jpg | 950.55 KB |